An Appeal from Ligimol CK
Ligimol C K
I am Ligimol C K. One year ago I was residing in a rented house owned by Mr. Johnson in Eloor. After some days he stormed to my room along with his wife to beat me and he abused me a lot and moreover insulted me by calling my caste name. Many a times he abused me and called me with caste name. Several times he peeped at me while I am taking bath and he often put mirror in angle to watch me while I am washing clothes. He cut my drinking water connection using hacksaw blade. Even thou…
Wherever Caste exists in the World, Ambedkar and Marx will remain Irreconcilable
Dr Manisha Bangar
This article was first published here in Round Table India.
In India, and wherever in the world Caste exists, Ambedkar and Marx will remain Irreconcilable.
Starting from the incidents in Hyderabad Central University in August 2015 when the students of ASA were ostracized, and more so after the Institutional murder of Rohith Vemula in January 2016, after the Una atrocity in July 2016, and in the ongoing victimization and institutional and non-institutional atrocities on Mus…
Empowered by Babasaheb's Words
I think my first introduction to Babasaheb Ambedkar came from my father’s ramblings on long drives back from my mother’s night classes. Undoubtedly I had none of the patience a 10-year-old could afford to have for old men trapped in history books and the monologues of equally old fathers! But it was interesting to see my father actually enjoy talking about something for once, even if he knew his audience had no clue what he was saying. Times were really tough for us financially, eve…
Bhima's Force shall Keep Growing...
This article first appeared here on Round Table India.
Babasaheb’s people have held him in their hearts in high regard without waiting for him to die and appear in any textbook. The supreme form of Ambedkarism is reflected in the songs about Babasaheb, are popularly known as Bhimgeete, composed and sung long before he became a subject of intellectual interest. The masses deprived of education were the first people to understand Ambedkar. They honoured him with the respectful n…
A Boy Comes to See You
This article was first published here in Round Table India and has been translated by Rahi Gaikwad
How should one feel when a boy comes to see you? Today, he came to see me.
What exactly does this mean? When a girl ‘comes of age,’ she is deemed too young to engage in romantic relationships or friendship with the opposite sex, but capable enough to marry and lead a married life. Her father or a male head of the family (yes male, because women do not have this right) looks for a groom…..
Towards Ambedkar’s Ideas, A Journey Of Self Transformation
The call for articles on the theme “What Ambedkar Means to Me” made me look back at my life, and reflect upon what Babasaheb Ambedkar meant to me. In modern India, it is widely believed that the caste system does not exist anymore. The ‘progressive’ society that I lived in took me into its confidence and I believed that despite being a Dalit, I will not be treated as one. However, I was made to realize gradually by the same society that after all, I am a Dalit and caste is my unde…
Reaching Babasaheb through the Ambedkarite Community
I was born and brought up in a metropolitan city. Bangalore. I attended one of the most elite schools in Bangalore. I never felt like I belonged there. I always felt like some sort of a loser growing up. Most people didn’t talk to me or even touch me in school. Even the one friend I had by the end of school openly expressed shame at the fact that she was friends with me. She said to me that she doesn’t know why she’s friends with me because I always embarrassed her and I wa…
फिल्म पार्च्ड और स्त्रीवाद: क्या सब औरतों की कहानी एक है?
(This article first appeared here in Round Table India on October 17, 2016)
कई दिनों से देख रही हूँ कि हमारे दलित-बहुजन साथी लीना यादव की फिल्म Parched की तारीफ कर रहे हैं। मेरे इस आलेख का आधार इस फिल्म की विषयवस्तु और इसके निर्देशक का साक्षात्कार है (देखें National Dastak, You Tube)।i
फिल्म लज्जो, बिजली, रानी नामक तीन तथाकथित ‘ग्रामीण’ महिला किरदारों की कहानी है। लज्जो ‘बाँझ’ है, रानी ‘विधवा’ है और बिजली ‘डांसर व सेक्स वर्कर’ है। लीना यादव कहती हैं कि उन्हें इस फिल्म को बनान…
Sairat Does Not Depict Gender-Role Reversal
Sairat (Marathi, 2016) would be the best text to examine if one is looking for the intersectionality of caste, class and gender in modern India. There have been attempts to see Archie (Archana Patil), the heroine, as transgressing the gender stereotypes or even reversing gender roles. Rather than the reversal of the gender roles, we see how caste-marked individuals perform gender differently. It’s very interesting to note how the heroine, Archie gets established in the film. In t…
Is Caste the Ideology that Underlies ‘Ragging’?
This article first appeared here in Utharakalam, and has been translated by Sruthi Herbert.
A new generation of people from the marginalized sections of Indian society have entered educational institutions, surmounting their material poverty and backwardness. At this stage, the most difficult problem that they encounter in these institutes are the constant questions about caste and ‘reservation’. ‘Ragging’ is the name that the society has given to this assault and humiliation. Ragg…